The Onedin Line is a BBC television drama series which ran from 1971 to 1980. The series was created by Cyril Abraham. The series is set in Liverpool from 1860 to 1886 and deals with the rise of a shipping line, the Onedin Line, named after its owner James Onedin. Around this central theme are the lives of his family, most notably his brother and partner, shop owner Robert, and his sister Elizabeth, giving insight into the lifestyle and customs at the time, not only at sea, but also ashore. The series also illustrates some of the changes in business and shipping, such as from wooden to steel ships and from sailing ships to steam ships. It shows the role that ships played in affairs like international politics, uprisings and the slave trade.
Scully was a British television drama with some comedy elements set in the city of Liverpool, England, that originated from a BBC Play For Today episode "Scully's New Years Eve". Originally broadcast on Channel Four in 1984, the single series was spread over six half-hour episodes plus a one-hour final episode. It was written by playwright Alan Bleasdale. The drama is notable for featuring many of the Liverpool football club first-team squad of that era. Francis Scully is a teenage boy who has his heart set on gaining a trial match for Liverpool to hopefully fulfil his ambition of playing for the club. Francis, in everyday situations during his waking hours, occasionally "sees" famous Liverpool players such as Kenny Dalglish when they are not really there. These dream-like sequences recur throughout the episodes. The main plotline is the efforts of Scully's school teachers to persuade Scully to appear in the school pantomime which they attempt by promising him a trial with his beloved Liverpool if he will cooperate. When Scully and his friends are not in school making trouble for the teachers and the school caretaker, they are seen roaming the local streets upsetting the neighbours and getting into trouble with the police. Scully sometimes has visions of the school caretaker appearing as a vampire due to the caretaker's nickname being Dracula. These frequent waking dream sequences give the show a somewhat surreal atmosphere.
A sharp detective with a messy life, DCI Vera Stanhope patrols her “patch” of northeast England, pursuing the truth in cases of murder, kidnapping, and blackmail. Vera is obsessive about her work and faces the world with caustic wit, guile and courage.
The peacefulness of the Midsomer community is shattered by violent crimes, suspects are placed under suspicion, and it is up to a veteran DCI and his young sergeant to calmly and diligently eliminate the innocent and ruthlessly pursue the guilty.
Irreverent comedy drama which follows the messy lives, loves, delirious highs and inevitable lows of a group of raucous teenage friends in Bristol.
Casualty, stylised as CASUAL+Y, is a British medical drama television series that airs weekly on BBC One, and the longest-running emergency medical drama television series in the world. Created by Jeremy Brock and Paul Unwin, it was first broadcast on 6 September 1986, and transmitted in the UK on BBC One. The original producer was Geraint Morris. The programme is based around the fictional Holby City Hospital and focuses on the staff and patients of the hospital's Accident and Emergency Department. The show has very few ties to its sister programme Holby City which began as a spin off from Casualty in 1999 and is set in the same hospital, but upstairs. The show's plots and characters occasionally crossover between the two programmes, but this is rare, and each show can easily be followed without having to watch the other. Casualty is shown weekly on a Saturday evening, which has been its time slot since the early 1990s.
The daily lives of the men and women at Sun Hill Police Station as they fight crime on the streets of London. From bomb threats to armed robbery and drug raids to the routine demands of policing this ground-breaking series focuses as much on crime as it does on the personal lives of its characters.
A chronicle of the lives of the aristocratic Crawley family and their servants in the post-Edwardian era—with great events in history having an effect on their lives and on the British social hierarchy.